Five Go Mad on the CTA

I’m getting so much better with AI. Obviously, this is non-canonical but what fun! Deepseek kicks ass.

The CTA train screeched into the Ravenswood station, its graffiti-tagged windows reflecting the Sickie Souse Club’s leather-clad silhouettes. Graylyn adjusted her lace gloves—dyed black with Rit, still staining her fingertips—and smirked at Drake’s latest vandalism: REAGANROIDS EAT SHIT scrawled in Sharpie across a campaign poster for the Republican senator whose Vitalis-slick hair she could still smell.

“You’re obsessed,” she said, her voice a cigarette-rasp as the train doors hissed open.

“And you’re complicit,” Drake shot back, hoisting a stolen bottle of his father’s Glenfiddich. His combat boots echoed on the platform, daring anyone to confront the Wolf Pack in their natural habitat: the liminal space between Evanston’s manicured lawns and Chicago’s throbbing underbelly.

They slipped into the cemetery first—their ritual. Beneath a moss-crusted angel, Chuck Crown spread a Persian rug looted from his mother’s Lake Forest mansion, its patterns swallowed by candlelight. The others arrived: Jules with her contraband VHS tapes of Labyrinth, Felix tuning a thrift-store Stratocaster to the dissonant key of Siouxsie and the Banshees.

Graylyn lit a clove cigarette, the flame trembling as she recounted her latest family dinner. “Mother said my paintings ‘lack commercial appeal.’ As if I’m supposed to peddle sunsets to golf widows.” She exhaled sharply, the smoke coiling like the skeletal lovers in her latest canvas—the one she’d later burn on Chuck’s houseboat.

Drake snorted. “Commercial appeal’s for politicians and pornographers.” He tossed her the Zippo he’d stolen from his father’s NSA-locked desk, its surface engraved with coordinates to a bombing site in Hanoi. A relic, a rebellion, a fuck-you.

The senator found them at Neo hours later, his tailored suit clashing with the club’s black-lit fog. “Marshall,” he drawled, eyeing Graylyn’s choker. “Still playing Baudelaire with Daddy’s money?”

Drake’s fist connected before the insult landed. The bottle shattered, Scotch pooling with the senator’s blood as security dragged them into the alley. Graylyn laughed, loud enough to startle the rats. “You’ll never be him,” she whispered later, dabbing Drake’s split lip with her fishnet sleeve. She meant his father, the war hero, the monster. The man who’d called Ravenswood Academy to demand his son’s “moral realignment” after catching him with Ginsberg’s Howl.

By dawn, they’d defaced every campaign poster between Belmont and Fullerton. Graylyn sketched devil horns in Sharpie; Drake scrawled FASCIST TWINK beneath the senator’s smarmy grin. On the train home, she leaned into him, her Walkman sharing one earphone—The Cure’s Kyoto Song mirroring the syncopated clatter of tracks.

“Hollywood’s gonna hate this,” she murmured, nodding at Felix’s Polaroid of the vandalized posters.

“Good,” Drake said. “Maybe they’ll finally realize their rom-coms are lobotomy scripts.”

The Sickie Souse Club didn’t compromise. They corroded—wealthy, wounded, and forever seventeen in the shadow of Ravenswood’s bell tower, where the 19th-century ghosts of America’s ruling class whispered sellouts as they passed.

Leave a comment