
I’m running into a problem with having so much great stuff from AI that I never get around to correcting. It gives me great ideas but it gets the story details wrong, and of course the style is very stilted and melodramatic. But because of that I don’t move forward so now I’m just going to post this and correct it later because it’s awesome.
I leaned into the series’ critique of spectacle and manufactured reality, plus Drake and Angela’s existing past-life architecture, so this feels like a deep hinge in the Sickies’ mythos.
The spa had become their monastery because the rest of America had become an emergency room with commercials.
All through July, the Sickies lived in Alvin’s family’s closed wellness resort on the edge of the Wisconsin woods, moving from room to room like decadent monks in exile: the Pyramid Room, the Oxygen Room, the cedar sauna, the tiled mineral pools that nobody was technically supposed to use after midnight. The parking lot outside stayed empty except for their cars, spaced out like abandoned offerings to an angry god. The vending machines hummed in the hall. The news muttered from somebody’s laptop. Death counts rose each evening in the blue light.
That night, rain beat softly on the skylights above the Roman Bath.
“That’s what I can’t stand,” Drake said.
He was sitting waist-deep in the mineral pool, hair wet, eyes black in the steam. Graylyn floated near the far wall with only her face above water, pale and watchful. Angela sat on the stone ledge with her legs in the pool, arms folded, her posture still athletic even in exhaustion. Trish had wrapped herself in a white robe and looked like some aristocratic ghost who had chosen not to haunt Versailles because the towels were better here. Chuck was drinking Gatorade from a wineglass. Dustin had brought his laptop dangerously close to the water, because Dustin believed mortality was a design flaw.
Alvin, presiding in a robe embroidered with the spa logo, said, “What can’t you stand? The plague, the politics, the fact that Chuck keeps using the eucalyptus mist setting as a personal fog machine?”
“I am creating ambiance,” Chuck said.
“The spectacle,” Drake said.
The word changed the room.
Even the steam seemed to hesitate.
Dustin looked up from the laptop. “That’s been your word all week.”
“It’s been my word all life,” Drake said. “But now it has teeth.”
On the laptop screen was a silent documentary Dustin had paused by accident or by fate. The frame showed the Colosseum at sunset, its arches honeyed and bruised, beautiful as an imperial skull.
Trish looked at it and went cold.
“Oh,” she said.
Angela turned. “What?”
Trish shook her head, but her face had already left Wisconsin.
Graylyn whispered, “Not this again.”
Drake looked at her.
The pool jets pulsed under the water, a low mechanical heartbeat.
“What do you mean, again?” Alvin asked softly.
Graylyn closed her eyes. “I remember the heat.”
No one laughed.
They had all been having dreams that summer, but the dreams had not felt like dreams. They had arrived with smells attached. Wool soaked with sweat. Wine turning sour in the cup. Dust. Laurel. Copper. Human breath in vast numbers. The old world had been coming through the walls of sleep like smoke through a cracked door.
Angela’s hands tightened around the stone ledge. “I remember the crowd before I remember the arena.”
“Yes,” Drake said.
Dustin shut the laptop.
The screen went black, and in that blackness, Rome opened.
Not as a movie. Not as scholarship. Not as one of Alvin’s expensive coffee-table books about ruins and civilization. Rome came back as a physical insult: sun pressing on the skull, tunics clinging to the spine, perfume failing against sweat and animal musk, the roar of tens of thousands rising and falling like surf against stone.
They were not themselves and they were entirely themselves.
Drake was a young Roman with a narrow face and a senator’s education but not a senator’s courage. He wore a ring he had not earned and sandals too fine for the soul inside them. He had come because everyone came. Because to refuse was to declare yourself strange. Because the emperor had given Rome a season of blood so enormous that even disgust had to buy a ticket.
Graylyn sat beside him in white, veiled against the sun, a woman of rank with eyes already full of exile.
Angela stood behind them, not sitting, never really sitting in any life, her body trained to respond to danger even when danger had been turned into entertainment.
Trish had jewels at her throat and misery in her mouth. Chuck was there too, younger, softer, laughing too loudly before the first death and not laughing after. Dustin, thin and precise, counted exits and shadows and the mechanisms beneath the floor. Alvin, older than the others in that life, wore the expression of a physician who had mistaken civilization for healing.
“The hundred and twenty-three days,” Dustin said in the spa, his voice dry and far away. “Trajan’s games.”
Chuck swallowed. “I thought it would be fun.”
No one mocked him.
That was the awful thing. They all had.
Not fun exactly, not in the stupid modern sense. But necessary. Grand. Unmissable. The empire had made a sacrament of attendance. To stay away would have been a kind of treason against joy, against Rome, against the colossal agreement that power was beautiful if arranged properly in tiers.
“I remember thinking,” Trish said, “that the awnings were pretty.”
Her voice broke on the last word.
Angela looked at her. “They were.”
The memory brightened horribly: great colored awnings stretched above the crowd, rippling like sails. Vendors called out. Children begged for sweets. Women shaded their faces with carved fans. Men argued about odds. The wealthy smelled of rose oil and ambition. Somewhere below, hidden machinery lifted doomed creatures and doomed men toward the light.
Then the gate opened.
Graylyn put both hands over her mouth in the Roman Bath.
“I knew before it happened,” she said. “I knew the whole shape of it. The crowd wanted release, but there was no release in it. It only made the hunger larger.”
Drake stared at the black laptop screen. In it he could see his modern reflection superimposed on the remembered arena, his pandemic face floating over Rome.
“I felt my soul step backward,” he said.
Angela nodded once. “Yes.”
That had been the first true movement.
Not leaving. Not yet. At first it was only an interior recoil, a refusal so deep it did not know language. The crowd surged to its feet, roaring approval, and something inside the seven of them remained seated. Something ancient and quiet refused the order to be thrilled.
Chuck’s Roman self had turned gray. He had been a man who loved feasts, jokes, horses, gossip, women, dice, sunlight on wine—everything the Earth offered in baskets and cups and beds. But the arena showed him appetite without love, appetite stripped down to its machinery. He remembered looking at Trish, who was not yet Trish, and seeing tears slide beneath her veil.
“I said I was sick,” Chuck murmured.
“You were sick,” Alvin said.
“No. I mean, yes, physically, but I said it like an excuse. Like I needed a socially acceptable reason to get out of hell.”
“That may be the most Chuck thing you have ever done in any incarnation,” Angela said.
He almost smiled. “Thank you.”
Dustin leaned back against the tile. “I corrected you.”
Everyone turned to him.
“In the passage,” he said. “When we were leaving. You said, ‘I have to get out through the vomitorium before I vomit,’ and I said the word referred to the exit, not the act.”
Despite everything, Drake laughed.
“You pedantic bastard,” Angela said fondly.
Dustin looked pleased and ashamed. “Apparently my soul has been irritating since at least the second century.”
The laughter passed through them gently, like a clean breeze through ruins.
Then Rome returned.
They remembered leaving together.
That was the part that mattered.
Not the games. Not the emperor. Not the architecture. Not the terrible genius of a civilization that could turn death into a civic festival and then sell figs in the aisles. The hinge of the memory was the seven of them pressing through the packed exit, away from the roar, down stone corridors where the air smelled of dust and panic and spilled wine.
Outside the Colosseum, Rome blazed.
The sky was pitilessly blue. Statues watched from pedestals. Vendors continued selling lunch. A boy ran past them with a garland. The city did not know it had revealed itself. The city thought it had entertained them.
Graylyn’s Roman self walked to a fountain and washed her hands though nothing was on them.
Angela stood guard beside her.
Trish removed her jewels one by one and dropped them into Drake’s hands as if they burned her skin.
Chuck vomited behind a column.
Dustin, pale and furious, kept saying, “This is not an error. This is the system functioning.”
Alvin wept openly, which embarrassed everyone except Angela, who touched his shoulder with the grave tenderness of a soldier too tired to pretend.
“And you,” Graylyn said to Drake in the spa. “You said it.”
Drake’s throat tightened.
He remembered.
His Roman mouth had been dry. He had still been young, still vain, still attached to the privileges that had carried him into the arena and would carry him home again if he let them. He remembered the ring on his finger. He remembered wanting to tear it off and not being able to. He remembered looking at his friends in the white noon of Rome and understanding that love, if it was real, had to become stronger than civilization.
“I said we had to leave,” Drake whispered.
“No,” Trish said. “You said we had to learn how to leave.”
The rain intensified over the skylights.
In the Roman memory, they walked away from the Colosseum together, not dramatically, not like saints in a painting, but like sick people searching for air. They passed beneath an arch and entered a narrow street where the noise of the games dulled behind them. A woman was singing somewhere above. Laundry stirred from a balcony. A dog slept in a stripe of shade.
There, in that ordinary street, the Path of Return began.
Not with incense. Not with a priest. Not with a thunderbolt.
With nausea.
With seven privileged Romans realizing that the Earth, beloved and terrible, could trap the soul not only through pain, but through beauty, appetite, status, friendship, art, sex, victory, applause, nostalgia, even the golden afternoon itself.
Alvin spoke in the spa, but his voice carried the cadence of the older man he had been.
“We made a vow.”
Angela nodded. “Not to abandon each other.”
“More than that,” Graylyn said.
Dustin’s eyes were wet now, which made him look startled, as if his body had executed an unauthorized command. “To reincarnate together until none of us mistook the arena for the world.”
Chuck closed his eyes.
Trish said, “Until we could love the Earth without needing to stay.”
The words entered the room and stayed there.
Outside, the summer of COVID pressed its masked face against the glass. America raged and counted and broadcast itself. The dead became numbers. The numbers became arguments. The arguments became entertainment. The old empire had found electricity, advertising, cable news, social media, private schools, luxury spas, defense contracts, streaming platforms, and still the same hunger moved beneath the floor, waiting to be lifted into view.
Drake looked around the Roman Bath at his friends: Angela with her disciplined fire, Graylyn with her wounded royalty, Trish with her impossible sweetness, Chuck with his frightened appetite for life, Dustin with his merciless intelligence, Alvin with his priestly hospitality. They were ridiculous. They were beautiful. They were trapped. They were leaving.
“Do you think we failed?” Chuck asked.
No one answered quickly.
Then Graylyn said, “No. We came back.”
“That sounds like failure.”
“No,” she said. “Failure would be forgetting why.”
Angela slipped into the pool at last. The water rose around her shoulders. “Every life gave us another attachment to release.”
“Families,” Drake said.
“Power,” Angela said.
“Beauty,” Trish said.
“Money,” Chuck said.
“Certainty,” Dustin said.
“Service,” Alvin said.
Graylyn looked at the dark water. “Sadness.”
The word sank.
Drake moved toward the center of the pool. One by one, without discussing it, the others did too, until they stood in a loose circle in the mineral water, grown older than their bodies, older than their biographies, older than Ravenswood, older than Rome.
Alvin lifted his hands, palms open. “The Path of Return is not hatred of the Earth.”
“No,” Trish said. “It’s gratitude without clinging.”
“It’s disgust without contempt,” Dustin said.
“It’s love without possession,” Angela said.
“It’s finally leaving the show,” Chuck said, “even if the tickets were expensive.”
That got another laugh, softer than before.
Drake looked up at the skylight. Rain streaked the glass, turning the spa lights into trembling stars. For a second he could hear the Colosseum again, the impossible roar of appetite calling them back to their seats. Then beneath it, quieter but more real, he heard sandals on stone, seven sets of footsteps turning away.
“We left together,” he said.
Graylyn touched his hand under the water.
“We leave together,” she corrected.
The pool jets shut off.
The silence afterward was immense and clean.
No one moved for a long time. They stood in the warm mineral water while rain washed the roof and the plague year rolled on outside, and somewhere far behind them, in the imperial sunlight of another life, the arena kept roaring for souls who no longer answered.